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Observe the inner world of mind and free myself
I intentionally return the gaze heading towards the external world through my painting internally and observe how the inner world of mind reacts with the object and the world and what kind of thoughts, feelings, and emotions are generated depending on the subject. The perception of observing the mind allows me, as an observer, to see the pattern in which the mind moves and realize what I am attaching and how I am limiting in it. These processes make it possible for freedom of mind confined to the thoughts, enabling the energies inside to be formed into various special forms.
Before starting work, in the process of concentrating, I discover that there are certain images or feeling of emotions that cannot be explained are emerged inside. I visualize these things by observing how the things change. The colors and brushes used in this process act as the main physical tools and depending on the situation, the density of the paint, the size of the brush and the intensity of brushing will vary.
Those floating on the picture are engraved somewhere in my consciousness and unconsciousness in the surroundings and relationships. They might be the memories of the scenery that I looked at in the past or the gaze of someone, something obsessed, unacquainted desires and the anxieties resulting from them, it extends constantly from concrete images to abstract notions. Such thoughts and feelings appear in the painting as just a color or as innumerable lines, and they are crushed as if they are denied, or they are returned as gigantic forms. Depending of the line of sight I see, the picture is felt like a landscape painting depicting a map of the inside, or like a self-portrait.
Just as the mind constantly changes, the things that are gained in the process of work also develop in harmony through conflicts, but all of processes may appear mixed. In the end, all of that is recorded as a series of self-discovery and a moment of continuous communication.
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